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DAILY NEWS ARTICLE

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ABSOLUTE ENSEMBLE
GRAMMY NOMINATED for "Best Small Ensemble Performance" “Pianist Matt Herskowitz contributes "Serial Blues," (highlighting) his own virtuosity, as well as that of drummer David Rozenblatt and bassist Mat Fieldes."

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Read reviews from Grammy (Best TRaditional Pop) and Felix Award (Best Jazz) nominated
MaD Fusion

Dave Brubeck writes about The Herskowitz Trio's debut CD “Forget Me Not - Herskowitz Rozenblatt Project”
“When I got to track 9, what you had going on in ‘Brazil’ I found almost impossible to analyze so much was going on. I couldn’t understand what percussion instruments could damn near play the melody. Whoever the percussionist is, he also is a “monster.’”

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Read reviews from David's ballet THREE POINT TURN Nominated for two GOLDEN MASK awards for "Best Production and Best Contemporary Dance" for Diana Vishneva as part of Sergei Danilian's "BEAUTY IN MOTION"

***VISHNEVA WINS THE GOLDEN MASK***
David composed the music to Dwight Rhoden's 'Three Point Turn' for prima Ballerina Diana Vishneva, Desmond Richardson and members of the Kirov Ballet for which Vishneva won a Golden Mask Award for "Best Female Performer in Ballet or Modern Dance". The other 2 other Golden Masks were presented to producer Sergei Danilian for Best Ballet and the Critic's Choice Award.

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Read reviews from GRAMMY NOMINATED for Best Traditional Pop Vocal Album Barry Manilow IN THE SWING OF CHRISTMAS featuring David's trio MaD Fusion

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Dwight Rhoden's 'OTHELLO' with music composed by David Rozenblatt:

THE CHARLOTTE OBSERVER
"There is electric energy from the start as the pulsing original score, by David Rozenblatt, communicates the essence of a rock concert and its afterparties....“Othello” has impeccable dancing, innovative music and eye-popping costumes. Beware the green-eyed monster, but go see its effects in this fiery and vibrant production"

CLASSICAL OBSERVER OF NORTH CAROLINA
"The work is set to a highly textured commissioned score by composer David Rozenblatt, with whom Rhoden has worked before. If it must be categorized, you could call it jazz, but it contains all the peculiar variety and rich strangeness of music in a dream... This music feels inseparable from the hard-edged, super-stylish sets and lighting by Michael Korsch and the brilliant, glittering, barely-there costuming by Christine Darch. Visually and aurally, this is a world complete"